Debut Benefits

Normally we reserve the first Thursday of every month for debut releases. A funny thing happened in the post-Thrillerfest ebb. There are no new releases this month. 

Our team here at The Thrill Begins is busy processing the new applications -- requests to join the Debut Author program are investigated by our membership group -- so I'm sure we'll have lots of striking covers to entice you next month. 

In order to become a member of the Debut Author program, an active ITW Author member must meets the following qualifications:

• Published by an ITW-recognized publisher.

• Is their first novel published in any format, anywhere.

• Is their first work of fiction published by a publisher or press with recognized status. Self-published works released prior to the debut novel preclude membership, as do novellas of any length (whether self-published or traditionally published), since the purpose of the debut program is to aide and support those going through the publication process for the very first time. Short stories released in an anthology or collection may not preclude membership; please mention these at the time that you apply so that they can be reviewed.

• The novel has or will be published after the most recent ThrillerFest. For instance, the last ThrillerFest was held July 7-11, 2015 and therefore an author who applied for the Debut Authors Program and whose first novel was released before July 7, 2015 was eligible for the Program. Conversely, an author whose book was released before the year’s ThrillerFest (any time before July 7, 2015) but who did not apply to the Debut Program until after July 11, 2015 is not eligible for the Program.

The benefits to the Debut Authors are many--some tangible, some nebulous but perhaps longer lasting. They include:

• The opportunity to appear at the Debut Authors Breakfast at ThrillerFest.  (Here are a few of our Debut Authors’ experiences at ThrillerFest: A Thrill a Minute by Anthony J. Franze and Jenny Milchman, Thrillerfest 2012: View from a Debut by Carter Wilson , and People, Passion, Places, Pain: ThrillerFest! by Donna Galanti.)

• The opportunity to receive media coverage concerning Debut Author events.  examples include a BookTrib.com profile and The Big Thrill, Library Journal, and Suspense Magazineran stories.

• Membership in the Debut Authors Discussion Forum and Mentor Forum.

Discussion Forum is a private forum where debut authors share experiences, give one another advice, post notices about upcoming events, and build relationships. The Forum also has archived resources, including a Debut Survival Guide, advice on getting blurbs, and much more.

The Mentor Forum features established ITW members who appear in the Forum to answer 

questions. Recent events have included a two-hour Skype session with Lee Child, as well as monthly on-line forums with David Morrell, Douglas Preston, Gayle Lynds, Harlan Coben, Lisa Gardner, and other bestselling thriller writers.  Read about one of those events here.

• Social media support, including inclusion on The Big Thrill’s Debut Author page, the opportunity to post on our blog, The Thrill Begins, and social media guidance and advice from Debut members. 

• A growing network and community, both with writers at just your stage, and with many of the greats in the business, which will provide support, resources, and opportunities at every stage of a career.

For me, working with the Debut Author Program been a wonderful opportunity to interact with so many authors as they prepare for their debut release. While I didn't make it to Thrillerfest--that pesky day job--I've met many of the debut authors at other conferences. The publishing world, especially the mystery/thriller/suspense world, can be a wonderful community. I'm delighted to be part of ITW, especially a program that reaches out to offer new members a hand.   

I hope everyone had a fabulous time at Thrillerfest or wherever your summer has taken you. I look forward to sharing the latest releases next month--on the First Thursday page.

Editing Out Loud

by M. P. Cooley

I spent four years working on my debut novel, Ice Shear. Six months of that time was spent on developing the plot, fleshing out characters, and doing research. The other three years and six months was spent developing the book’s voice. Reading the manuscript out loud and recording it were key tools I used to refine the voice of my narrator as well as all the other characters who populated my books.

The voice of Ice Shear and its sequel Flame Out is that of the hero, June Lyons, who is a smart, sardonic cop. June is depressed as Ice Shear opens, reeling from years of loss: Her husband died of cancer, she gave up her career in the FBI, and moved back home to the dying mill town where she grew up. I struggled with writing the voice of someone who is so cut off from life in a way that was accessible to readers, and ended up flipping the book from third person to first person two years into the process, doing a complete rewrite. Still, it wasn’t quite right. I was listening to an audiobook and was thinking about how different it was to experience the story off the page, and I decided to record myself reading the whole book out loud. I was amazed by the benefits to the manuscript, both in the reading and the listening.

Assuming that you aren’t preparing the files for audiobook listeners, this process is easy and free. I have a mac and used QuickTime to capture the audio—there are comparable programs for PCs--and found that the process worked better when I had a standalone mic instead of shouting at my computer screen. I printed out the manuscript, grabbed some tea with lemon, and started reading. I was looking to refine the voice, but I found in reading out loud that I caught plotting errors and story mistakes, dropping checkmarks into the margin where I needed to go back and review the information. There were a lot of checkmarks.

Listening to the book provided a different experience. I could hear those sentences I stumbled over, the syntax too twisty, as well as how well or poorly the dialogue was working. This process became even more important in Flame Out, in which June is trying to solve a 30-year-old crime that took place in a tight-knit Ukrainian immigrant community. I worked hard to write dialogue that captured the characters’ different experiences, creating distinctions in syntax between those that arrived in the US as adults versus those that arrived as children. Through hearing their dialogue out loud I got a sense of those that assimilated and those that refused, and through their world I was able to get a better sense of how they viewed the new world.

Reading the books out loud made a huge difference in my manuscripts, improved both the dialogue and the characterization, giving my characters unique, natural voices and strong viewpoints.

What do you think you’d discover about your suspense fiction if you read it out loud?

M.P. Cooley's novel FLAME OUT, released in May 2015, was praised in Library Journal in their starred review: "Cooley has upped her game with a whip-smart, complicated heroine and a labyrinthine domestic mystery that will surprise and delight fans of her first book, while earning the author scads of new fans." Nominated for the Anthony Award, Barry Award, Strand Magazine Critics Award, and the Left Coast Crime best first novel prize, her debut ICE SHEAR, was named one of O, The Oprah Magazine's Best Books of Summer 2014 and was called "an excellent debut" by Publishers Weekly in their starred review. Currently, she lives in Campbell, California where she works in administration at a nonprofit organization. An ebook novella, FAINT TRACE, was released in April 2015. Visit her at: mpcooley.com

As a police officer in the Rust Belt town of Hopewell Falls, New York, June Lyons keeps an eye on the abandoned factories that line the Mohawk River. On patrol she spots a slick of gasoline running across the parking lot of an old apparel factory; inside, an unconscious woman lies near smoldering piles of old fabric. The fire destroys the building down to its subbasements, and the badly burned woman June rescued is in a coma. No one knows who she is or how she got there. Thirty years earlier, June's father made a name for himself when he arrested the factory's owner, Bernie Lawler, for killing his wife and child, though their bodies were never found. Sifting through the factory's ruins, June and her partner, Dave Batko, discover a woman's body sealed in a barrel. They're sure that the body will be Luisa Lawler's and her cold case file will finally be closed. But the body isn't Bernie's wife's, and the discovery opens old wounds and cuts fresh ones, triggering a new cycle of violence and revenge that threatens to destroy her family and friends.

That Writer’s Diary

by Cecilia Ekbäck

This spring has been hectic. Wolf Winter was published early spring with all subsequent demands and I was also finishing off the first draft of my second book In the Month of the Midnight Sun. I often felt my salvation to be was my ‘writer’s diary.’ 

When writing Wolf Winter, I didn’t keep a diary. I jotted down my thoughts on scraps of paper which, of course, I misplaced, or which were difficult to decipher because my handwriting was too small and untidy. My research was in a similar state – I thought I would remember, but didn’t. The editing process was long and a number of things had to be re-researched as I hadn’t kept track of original notes. It was only towards the end of writing Wolf Winter that, spurred by the diaries of outstanding authors such as Virginia Wolfe, and André Gide, I tried the practise of writing a regular diary (and keeping a research file!).

As a writer, I often miss the collegial life I previously enjoyed, where ideas where debated and discussed in the workplace. Putting down my thoughts in diary form forces me to articulate thoughts, from muddled impulse through to something that is clearer, and that sometimes proves to be a ‘gem’. Often I don’t see this until I reread my notes later. When I wrote the end of In the Month of the Midnight Sun and despaired, I often went back to the notes I took towards the end of writing Wolf Winter to remind myself that I had felt the same way back then; that feeling confused and even despairing seems to be a part of my writing process; that even when I am not sitting at my desk, my mind is continuously at it, and eventually the answer will come. Diary writing also helped keep me centred in the midst of, what I felt was, a turbulent publication period with many things such as interviews and speaking engagements that don’t come natural to me. 

I use my diary to discuss with myself the book I am currently writing, any everyday issues regarding plot, characterisation or similar, plus potential plot developments. I also use it to note any thoughts about books I am reading: ideas, skilled use of techniques, or similar. I believe that in time, my diary will be where I see my own development as a writer, where I push myself further, and where I understand things about myself as an author. 

Cecilia Ekbäck was born in Sweden in a small northern town. Her parents come from Lapland. She now lives in Calgary with her husband and twin daughters, ‘returning home’ to the landscape and the characters of her childhood in her writing. Her first novel Wolf Winter was published in February 2015. Her second novel In the Month of the Midnight Sun will be published in January 2016.

Swedish Lapland 1717; a group of disparate settlers struggles to forge a new life in the shadow of the grim Blackåsen Mountain whose dark mythology lies at odds with the repressive control exerted by the Church. Into this setting, Maija, her husband and two daughters arrive, wanting to forget the traumas that caused them to abandon their native Finland and start anew. Not long after their arrival, their daughters stumble across the mutilated body of a fellow settler in a picturesque glade. The locals are quick to dismiss the culprit as wolf or bear, but Maija, however, is unconvinced and compelled by the ghosts of her past, she determines to investigate the murder.

3 Things For Debut Authors To Keep In Mind

by Julie Lawson Timmer    

When our eldest children began middle school, we decided to streamline our parenting approach by giving them only three rules. (I stole the idea from a book). Word lover that I am, if left to my own devices, I might have issued a multi-chapter tome of Do and Don’ts, with subparts, references and a multi-step process for requesting exceptions. The three-item strategy worked like a charm.
Since brevity and the list of 3 worked so well back then, I’ve used it many times since, not only as a parent but as a lawyer, negotiator, and writer. And so, I have three pieces of advice for you, O Debut Author. No long list of Dos and Don’ts, no subparts, no references--just the three things I think are most important for you to keep in mind:

1. Breathe it all in. You slogged for 2, 5, 10 years on your novel, and now you’ve made it: your book is (or is about to be) published! It’s a dream come true, isn’t it? Take time every day to honor that.
It’s easy to let the joy of a book deal get swallowed up by the slog of being a debut author. Suddenly, there are edits, first-pass pages, cover choices, blurbs to beg for, a launch to plan, blog posts and interviews to write, sales figures to worry over. Those things are important, and writing is a business, and blah blah blah. But it’s so much more than that, isn’t it? Try not to get so caught up in the slog that you completely bypass the joy of having your dream come true. Breathe in the joy. Every day.
I’m not talking about one-off, capital-C Celebrations like that bottle of bubbly you popped open or the fancy dinner you had with your family. Those things are easy. I’m talking about the more difficult, smaller-c moments: the daily period of quiet reflection where you sit still, and breathe, and remind yourself that all of the slog that comes with being a published author is in your life for this reason: you just had a dream come true.

2. Hashtag, be yourself. Even if you’ve mastered this one in real life, it can be a surprisingly tough thing to stick to online, where adding “published” to your profile gives you entrée into new groups and circles and lists. All of your new publishing insider “friends” are tweeting and posting and favoriting and sharing and bragging. If they’re all doing it, shouldn’t you?

#onlyifthat’swhoyoureallyare

If that’s not you offline, don’t try to make it you online. #itwillonlymakeyoumiserable

3. Get back to work. You’re reading this because you wrote a book, and got a book deal. There’s only one way to make that happen again.


Julie Lawson Timmer grew up in Stratford, Ontario, Canada. She lives in Ann Arbor, Michigan with her husband, their four teenage children and two rescued dogs. By turns, she is a writer, lawyer, mom/stepmom, and dreadful cook. FIVE DAYS LEFT (Putnam 2014) is her first novel. Her second book, UNTETHERED, will be published by Putnam in 2016.


FIVE DAYS LEFT (Putnam September 2014): Mara Nichols is a successful lawyer, devoted wife and adoptive mother who has received a life-shattering diagnosis -- Huntington's disease. Scott Coffman, a middle school teacher, has been fostering an eight-year-old boy while the boy's mother serves a jail sentence. Scott and Mara both have five days left until they must say good-bye to the ones they love the most. FIVE DAYS LEFT explores the individual limits of human endurance and the power of relationships, and shows us that sometimes loving someone means holding on, and sometimes it means letting go.

5 Marketing Tips for Book Signing Events

by Margo Kelly 

You wrote a book, got it published, and now what? Here are five tips in five time periods for book signing events: 

3 MONTHS BEFORE EVENT:

1. Research bookstores
2. Speak with event coordinator in person
3. Give her an ARC (Advance Reading Copy) and an introductory letter
4. Have postcards or bookmarks printed, featuring book cover, short description, industry praise, and ordering information
5. Have tabletop poster (11x17 with easel back) made featuring cover and industry praise – add a starburst to top that reads: LOCAL AUTHOR 

2 WEEKS BEFORE EVENT:

1. Confirm details with event coordinator
2. Publicize event widely – on FB, Twitter, Community Calendars, etc.
3. Polish your website so when new contacts visit they’ll be impressed
4. Buy a new outfit to look and feel confident for your big day
5. Create an email newsletter signup sheet

SETTING UP AT EVENT:

1. Table – typically, the event coordinator will provide this
2. Tablecloth – solid color
3. Postcards or bookmarks – be liberal giving these away 
4. Ink pens – one to sign books and one for email signup form
5. Books – verify how many the store has and then sell them all! 

DURING EVENT:

1. Smile and sit up straight
2. Greet people and ask them how they are today
3. Ask people what type of books they like to read – engage them in conversation and describe your book
4. Tell people you’re a local author
5. Keep a positive attitude – be nice to everyone, especially store employees, because they’ll be hand-selling your book later

AFTER EVENT:

1. Send a thank you card to event coordinator
2. Make notes about what worked and what did not for future reference
3. Blog about the event
4. Add new contacts to your email list
5. Email newsletter once a month with book related news

Margo Kelly is a native of the Northwest, and currently resides in Idaho. A veteran public speaker, she is now actively pursuing her love of writing. Who R U Really? is her first novel. Visit her at: https://www.facebook.com/MargoKelly.author; www.margokelly.net;  @MargoWKelly; and https://www.goodreads.com/margokelly 

When Thea discovers a new role-playing game online, she breaks her parents’ rules to play. And in the world of the game, Thea falls for an older boy named Kit whose smarts and savvy can’t defeat his near-suicidal despair. Soon, he’s texting her, asking her to meet him, and talking in vague ways about how they can be together forever. As much as she suspects that this is wrong, Thea is powerless to resist Kit’s allure, and hurtles toward the very fate her parents feared most. Who R U Really? will excite you and scare you, as Thea’s life spins out of control.

July Debut Releases

It's the first Thursday in July and that means new releases.

Please take a look and let’s celebrate these debut authors' success!

VR Barkowski - A Twist of Hate (Five Star/Cengage) June 17, 2015

www.vrbarkowski.com

When the Cézanne his parents lend a local museum is replaced with a forgery, former homicide inspector turned security consultant Del Miller insists the museum's director call in the FBI. The painting, smuggled out of Nazi-occupied France along with Del's then-infant father, is not only priceless, it holds great sentimental value.
Soon, the museum director is dead, and a handwritten note in which he admits complicity in the theft arrives at a local news station. Then come allegations that Del's grandfather—a French Resistance hero who died at the hands of the Nazis—stole the missing masterpiece from a Paris gallery during the war. 

After the grandson of the long-deceased gallery owner comes forward to claim the Cézanne, he is found shot to death, and Del's father is implicated in both a conspiracy to hide the painting and murder. Del, now at a crossroads, sets out to uncover the truth.

From present-day San Francisco to war-torn France and Nazi death camps, A TWIST OF HATE is a story of family honor as Del seeks answers about the grandfather he never knew, the father he idolizes, and the secrets behind a missing painting that lay buried deep within his family's past.

Mark Leggatt - Names of the Dead (Fledgling Press) July 26, 2015

www.markleggatt.com 

Connor Montrose is running for his life. All that he held dear has been ripped away. Every Western intelligence agency and all the police forces of Europe are looking for him, with orders to shoot on sight. The only man who can prove his innocence, is the man that most wants him dead. 

Only one woman, a Mossad sleeper in Paris, will stand by his side. With her help, he must now turn and fight. His journey of evasion and revenge take him from hidden Holocaust bank vaults in Zurich, to the stinking sewers of Paris and dust-choked souks of Morocco. Finally, in the back streets of Tehran, under the gaze of the Ayatollahs, he has the chance to end it, as it began. In blood.

Jeffrey Westhoff - The Boy Who Knew Too Much (Intrigue Publishing) June 1, 2015

www.jeffreywesthoff.com

While on a school trip to Europe, Milwaukee teenager Brian Parker hopes for just a taste of the glamour and excitement of his favorite spy novels. Brian gets way more than a taste, though, when he stumbles across a wounded spy in a Lucerne alley.

The man’s dying words catapult Brian into a desperate chase across the continent. America’s latest super weapon is at stake, and everyone from a rogue CIA officer to a sadistic criminal mastermind is after it – and Brian. New enemies emerge at every turn, but Brian soon finds a welcome ally in Larissa, a beautiful French girl who loves the Ramones and is handy with a blast of pepper spray. 

Brian faces a deadly path, but reading all those spy novels has taught him a few tricks of the trade. They just might save his life.

What Came First, the Music or the Mystery?

By Maria Alexander

Music. Many writers call it a “creative crutch.” Others, a distraction. It’s fascinating how music affects our creativity. It can spark an idea or sustain a mood as we complete a scene. Some authors listen to music as a warm up and then turn it off when writing.

For me, story ideas frequently find me as I drive and listen to the car stereo. Many of my short stories were born this way. For example, “Black Roses and Hail Marys” fell into my head one day as Offspring’s “Gone Away” hit the airwaves. And the final scene of “Coming Home” appeared in my imagination as “Carol of the Bells” started playing one evening on my favorite classical music station. I continued playing the tune at home until the entire story unfolded on the computer screen.

But with my debut novel, Mr. Wicker, the music and the mystery came at the same time. I’ve been pretty cagey about the origins of the novel, offering the extraordinary, true-life backstory in a transmedia puzzle trail that starts at the end of my book trailer. (WARNING: The trailer is graphic and bloody.) Without giving away the backstory, I can say that a haunting lullaby came to me during the event that inspired the book. I “heard” Mr. Wicker’s voice singing this song:

In a time and out of time
In time, the ink shall sing.
Blood and trust
They turn to dust,
Each secret that they bring.

Brooders weep
And brooders keep
Their misery at hand
Let Mister Wicker wash your sicker
Memories in sand…

That’s the song of the Library of Lost Childhood Memories, where Mr. Wicker is the Librarian. (To hear the tune, watch – or just listen to – the book trailer.) In the novel, children come to Mr. Wicker in their dreams to give him their most traumatic memories, which he records in a book with their name on the spine. When they wake up, the children no longer remember either what happened or Mr. Wicker. Music plays a big part in the story, as it’s deeply connected to memory.

The Librarian’s song was the soundtrack to my nightmares throughout the years it took the novel to develop. Starting as a short story in September 1997, the tale then evolved into a well-regarded screenplay before I eventually adapted it to novel. In September 2014, Raw Dog Screaming Press published Mr. Wicker to critical acclaim. And in May 2015, the book won the Bram Stoker Award for Superior Achievement in a First Novel.

It seems Mr. Wicker’s song was right. In time, the ink shall sing…indeed.

Maria Alexander is a screenwriter, games writer, virtual world designer, award-winning copywriter, interactive theatre designer, short fiction writer and poet. Her debut novel, Mr. Wicker, won the 2014 Bram Stoker Award for Superior Achievement in a First Novel. Represented by Alex Slater at Trident Media Group, she lives in Los Angeles with two ungrateful cats and a purse called Trog. Visit her at: www.mariaalexander.net

Alicia Baum is missing a deadly childhood memory. Located beyond life, The Library of Lost Childhood Memories holds the answer. But the Librarian is Mr. Wicker — a seductive yet sinister creature with an unthinkable past and an agenda just as lethal.

How I Handle Rejection

by Richard Torregrossa

The book industry is gasping for air. It’s practically on life support. Not good news for writers. It’s harder than ever to get published, but that doesn’t mean much, at least not ultimately. If you’re a writer, you write, and come what may. I’ve published eight books, all with major publishers, and not one of them was easy sailing; it was all uphill. My most recent book, TERMINAL LIFE: A Suited Hero Novel, a mystery crime thriller, racked up many rejections both from literary agents and editors.

But that’s a good thing. First of all, the fact that it was even read by top people in the industry is an accomplishment. More important, if you’re piling up rejection slips that means you’re still in the game, that you haven’t given up, that you’re not a quitter, and that’s a sign of character, that you believe in yourself regardless of what other professionals might think.

Still, rejection stings. I know that. But the best antidote for this is getting back to work. I have a saying above my desk: Process, Not Result. It’s been an enormous help to me because it keeps me focused on the work and not the frills. It reminds me to work harder to develop my craft, to read and re-read, to keep up with industry trends, and not become distracted by the ultimate goal—to become a rich and famous published writer. For me, writing is a joy and I will not let anything or anybody sour a disposition that I regard as a blessing. I write every day, even if I don’t feel like it, and eventually good results come my way. 

I also keep in mind that every writer has dealt with rejection. Gone with the Wind was rejected 38 times, The Great Gatsby 122 times, John Grisham’s first novel 25 times, and on and on. Some of the rejection letters were quite nasty. Zane Gray, who went on to sell 250 million books, received this lovely response from a publisher, “You have no business being a writer and should give up.”

I have many writer friends who are far more talented than I’ll ever be, but they don’t publish much because they’re paralyzed by the fear of rejection. I’ve helped some of them by showing them my rejection letters paired with the published book, its impressive sales, and rave reviews, which is the greatest vindication. So you’ve got to bite the bullet and continue to disseminate your work. The business is subjective and it often takes a huge effort to find likeminded colleagues. 

I just finished my next novel, Where Have All The Good Girls Gone?, about a young man devastated by his wife’s infidelity, forcing him on a journey to regain his dignity, his place in the world,  and the redemptive power of love. My literary agent retired and I am searching for a new one. So far I’ve racked up a few rejection slips. And I couldn’t be more delighted. 

Richard Torregrossa is a journalist whose work has appeared in The Financial Times, Newsday, The New York Post, The Chicago Tribune, The San Francisco Chronicle,The Huffington Post, Movieline, Self, Cosmopolitan, Yoga Journal Family Circle, Parents Magazine, The South China Morning Post, Las Vegas Magazine, Desert Living, The Ritz Carlton Magazine, The Modern Gentleman’s blog, and many other online media.  He is the author of eight books, the most recent the acclaimed biography Cary Grant: A Celebration of Style, Foreword by Giorgio Armani, Afterword by Michael Kors.  A first-degree black belt, he is an enthusiastic martial artist who teaches and continues to study a variety of forms, from Kenpo to Jeet Kune Do.  Richard’s expertise in the world of men’s fashion and in the world of martial arts shine in Terminal Life, the first in the Suited Hero series.

Visit Richard at:  http://www.richardtorregrossa.com/

You've Got The Magic In You

by Susannah Hardy

February 4, 2013 . The number three most memorable day of my life. The day my agent called and told me we had a three-book deal with Berkley Prime Crime for a new series, the Greek to Me Mysteries. I cried then. I’m misting up again just thinking about it now. Of course, I didn’t know then that the journey—and the real hard work—was just beginning. But that day, I felt like I’d won the dream-fulfillment lottery. (FYI, my wedding and the day my son was born tie for the number one and number two spots)

Did I always want to be a writer? I get asked that a lot. Of course, I’d always been a reader, that goes without saying. My aunt loves to tell how, while babysitting me, she was forced to read the Little Golden Book Chicken Little over and over, to the point that to this day she hates that story. When I got to school, I learned to read for myself, relieving my aunt of Chicken Little duty, and I never stopped. I read all kinds of books, fiction and nonfiction, but most of all I loved the mysteries. Encyclopedia Brown. Sherlock Holmes. Agatha Christie. Nancy Drew. Barbara Michaels/Elizabeth Peters.

But as to whether I always wanted to be a writer, well, wanting to and thinking you can do something are two different things. I studied history and literature in college, and wrote in fits and starts over the years. But I never produced a complete … anything. I have a whole drawer full of Chapter Ones. Sometimes I didn’t even finish the whole chapter, just wrote a couple of pages. Couldn’t even manage a short story. You see, though the want was there, the confidence to fulfill that want was missing. I truly believed that writers were different than the rest of us, possessing some kind of special abilities—or maybe it was some kind of magic—that enabled them to put pen to paper or fingers to keyboard and produce a whole story.

Of course, now I know that writers are different than other people. Everybody has stories in their head. But writers write them down from beginning to end. Then they go back and fix their words until the story works. That’s the magic.

A few years ago, I took a long look at my life and realized that if I never finished writing a novel, I would regret it. At that point, I was not even thinking about publication. For my own self-respect, I needed—no longer wanted, but needed—to get from the words “Chapter One” to “The End,” with a complete story in between. And so I joined a writers’ group at my local library. I almost didn’t go to that first meeting. But I forced myself. And I met, that very first night, a new friend who was just a little further ahead on her journey. Over the next year, we encouraged each other, prodded each other along, and didn’t let each other quit. She produced a YA novel that she subsequently indie published. I produced the book that would become, with several rewrites of the opening fifty pages, Feta Attraction.

Now I had a complete manuscript. The writers’ group at my library disbanded, and a few of us who were left realized that we knew nothing about the business of writing. So we joined our local chapter of Romance Writers of America (www.ctrwa.org). A mystery writer joining an RWA chapter? Yup. The members there taught us about literary agents, and querying, and synopsis writing, and pitching, and all kinds of other business and writing craft. And I also joined Sisters in Crime New England (www.sincne.org), to get mystery-specific experience. I strapped on my new tool belt and got to work.

Three months after I started querying in earnest, I got an offer from an agent. And then a couple of weeks later I got a second offer from an agent with a better track record, which was the one I ultimately accepted. We put together a proposal, and within a week of it being submitted to an editor, it was sold. February 4, 2013.

Fast forward, and Feta Attraction is now on the bookshelves. Book 2, Olive and Let Die, releases November 3, 2015. And Book 3, as yet untitled, will be out in 2016. Not bad for a girl who didn’t believe she had the magic to get it done. If I’ve learned anything from this process, it’s that everybody has the magic. You just have to get out of your own way long enough that it can do its work.

Susannah Hardy thinks she has the best job in the world: making up stories and inventing recipes to go along with them. A native of northern New York, where she attended St. Lawrence University, Susannah now lives in Connecticut with her husband, teenaged son, and Elvira the Wonder Cat.

Georgie Nikolopatos manages the Bonaparte House, a Greek restaurant and historic landmark in beautiful upstate New York rumored to possess ghosts and hidden treasure. But when her husband disappears and her main competitor is found dead, it’s up to Georgie to solve a big fat Greek murder.  Includes delicious Greek recipes! 

Website: www.susannahhardy.com
Facebook: https://goo.gl/cZKbC6
Twitter: @susannahhardy1, https://goo.gl/v3bVFF
Feta Attraction: http://goo.gl/yf84Ue
Olive and Let Die: http://goo.gl/4pPol3

June Debut Authors

It's the first Thursday in June and that means new releases.

Please take a look and let’s celebrate these debut authors' success!

Christine Carbo - The Wild Inside (Atria Books/S&S) June 16, 2015

christinecarbo.com

A haunting crime novel set in Glacier National Park about a man who finds himself at odds with the dark heart of the wild—and the even darker heart of human nature.

It was a clear night in Glacier National Park. Fourteen-year-old Ted Systead and his father were camping beneath the rugged peaks and starlit skies when something unimaginable happened: a grizzly bear attacked Ted’s father and dragged him to his death.

Now, twenty years later, as Special Agent for the Department of the Interior, Ted gets called back to investigate a crime that mirrors the horror of that night. Except this time, the victim was tied to a tree before the mauling. Ted teams up with one of the park officers—a man named Monty, whose pleasant exterior masks an all-too-vivid knowledge of the hazardous terrain surrounding them. Residents of the area turn out to be suspicious of outsiders and less than forthcoming. Their intimate connection to the wild forces them to confront nature, and their fellow man, with equal measures of reverence and ruthlessness.

As the case progresses with no clear answers, more than human life is at stake—including that of the majestic creature responsible for the attack. Ted’s search for the truth ends up leading him deeper into the wilderness than he ever imagined, on the trail of a killer, until he reaches a shocking and unexpected personal conclusion.  

Alex Dolan - The Euthanist (Diversion Books) June 2, 2015 www.alexdolan.com

A young woman helps to end the lives of people with terminal diseases. But when she helps the wrong person, she will be roped into a plot to gain vengeance on behalf of dozens, and the last life she ends may be her own.

They know her as Kali. She is there to see them off into the afterlife with kindness, with efficiency, and with two needles. She’s been a part of the right-to-die movement for years, an integral member, complicit in the deaths of twenty-seven men and women, all suffering from terminal illnesses.

And she just helped the wrong patient.

Soon Kali is drawn into a mesmerizing game of cat-and-mouse with two ruthless predators—one behind bars, one free—who hold the secrets that could bring comfort to the families of their victims. This powerful journey towards grace and towards peace will force both Leland and Kali to question everything they believe to be true and just.

Eileen Magill - (Oak Tree Press) June 17, 2015
www.eileenmagill.com

A young widow...

Cindy is reeling from the loss of her husband, suddenly a single mother of two children and the sole caretaker for her aging aunt. She finds the perfect house to start anew.

A house with a past...

A rundown house in the Silicon Valley suburbs needs a lot of work, but Cindy is willing to take it on to get her dream house. Disclosure documents indicate that someone had died in the house, but they don't tell the whole story of the house's evil past.

A call for help from beyond the grave...

Cindy's dreams are invaded by a woman who shows Cindy the horrible murders that had taken place in the house. Her message to Cindy: Your family is next. When repairs on the house uncover the missing murder weapon, Cindy begins to believe that the strange woman is something more than just a dream. Using her journalism skills to research the property, the dark past of the house is revealed: a series of murders starting when the house was built more than 40 years earlier. But her meddling into the history awakens a killer's need to keep the past quiet, and Cindy is thrust into a struggle to find the killer before she and her family become the next victims.