The Reinvention of Me

By Douglas Corleone

Sometimes failure is a good thing. Although you’d never hear me utter the words “blessing in disguise,” I suppose that’s what you could consider the bad news I received in 2011 when my agent asked my editor whether she’d like to read my proposal for the fourth Kevin Corvelli novel.

“Actually, we’d prefer to see something new from him.”

The moment I heard those words I experienced both a pang of grief and a jolt of excitement. Grief for the series of legal mysteries that I’d spent the last half-decade writing and promoting. And excitement about the possibility of a fresh start. A new series, a new setting, a new hero. Maybe even a new genre. I thanked my agent and promised I’d have an idea to her by Friday.

Truth is, I could have blurted my new idea to her right then and there over the phone. The idea for Good As Gone had planted its seed two years earlier, after reading a one-page article on a real-life private investigator who specialized in retrieving children kidnapped by their estranged parents and taken overseas to countries that don’t recognize U.S. custody decisions. I had immediately envisioned a Taken-style thriller that would transport my new tough-guy hero to exotic locales where he’d be pit against criminals from every walk of life, from Eastern European gangsters to Latin American narco-paramilitary forces.

Roughly a year later the book was written, the contract signed, and I was no longer just an author of quirky legal mysteries set in Hawaii. The advance I received was far greater than anything I’d hoped to get for a fourth Kevin Corvelli novel, and I was suddenly full of hope that my reinvention as an author of international action thrillers could be the catalyst for the writing career of which I’d always dreamed.

When the cover art for Good As Gone was first revealed to me, I was blown away. It looked as though it could serve as the one-sheet for a new blockbuster film starring Matt Damon or Daniel Craig. For the first time I could picture a novel with my name on the cover sitting in the bestseller racks in supermarkets and international airports. As much as I enjoyed writing the Kevin Corvelli books, I’d always known he’d never get me to where I wanted to be as a writer. Kevin Corvelli was cool and he was comfortable and his stories provided me the opportunity to show off my neurotic New York sense of humor. But he wasn’t the larger-than-life figure that could enthrall a wide audience and someday be portrayed by Ryan Reynolds on the big screen.

Simon Fisk, on the other hand, has that kind of potential. A former U.S. Marshal whose six-year-old daughter was abducted ten years earlier and never found, Simon Fisk is the type of haunted lone wolf who can leave behind a significant body count and still win the hearts and minds of readers. Of course, whether he (or I) will ever be even a moderate success remains to be seen. But ever since Publishers Weekly – who’d panned me mercilessly in the past – compared Simon Fisk to James Bond, I’ve at least felt as though I am in the game.

(Update: Since I wrote this article, which first appeared in Crimespree magazine this summer, I’ve been tapped to write the fourth book in Robert Ludlum’s Paul Janson series. I’ve recently begun work on Robert Ludlum’s The Janson Equation, which will be published by Grand Central in 2015. The second novel in my Simon Fisk series, titled Payoff, will be published by Minotaur Books on August 19, 2014.)   

About Douglas Corleone 

Douglas Corleone is the author of contemporary thrillers. His debut novel ONE MAN'S PARADISE, introducing hotshot defense attorney Kevin Corvelli, was a finalist for the 2010 Shamus Award for Best First Novel and winner of the Minotaur Books/Mystery Writers of America First Crime Novel Award.

Douglas Corleone's first international thriller, titled GOOD AS GONE, featuring former U.S. Marshal Simon Fisk, was hailed by the Huffington Post as "a heart wrenching, adrenaline producing adventure that...leaves the reader gasping for breath at the end."

A former New York City criminal defense attorney, Douglas Corleone now resides in the Hawaiian Islands where he is at work on his next novel. 

Visit the author online at www.douglascorleone.com.

About Good As Gone

A heart-pounding tale of international intrigue about a man whose mission is to find a young girl who is as GOOD AS GONE…

 

Adding Suspense, Tension and Intrigue to Your Story

by Jodie Renner, editor & author

 

All genres of fiction, not just thrillers and action-adventures, need tension, suspense, and intrigue to keep readers eagerly turning the pages. And of course, you’ll need to ratchet up the tension and suspense a lot more if you’re writing a fast-paced, nail-biting page-turner.

Some “Big-Picture” Techniques for Adding Suspense:

~ First, make your readers care about your protagonist by creating a likeable, appealing, strong, smart and resourceful but vulnerable character, with some inner conflict. If readers haven’t bonded with your main character, they won’t care what happens to him or her.

~ Create a cunning, frightening villain. Your villain needs to be as clever, determined and resourceful as your protagonist – or even more so. Make him a serious force to be reckoned with!

~ Threaten your protagonist. Now that your readers care about your main character, insert a major threat or dilemma within the first chapter that won’t be resolved until the end. Create an over-riding sentence about this to keep in mind as you’re writing your story: Will (name) survive/stop/find/overcome (difficulty/threat)?

~ Establish a sense of urgency, a tense mood, and generally fast pacing. Unlike cozy mysteries and other more leisurely genres, thrillers and other suspense fiction generally need a tense mood and fast pacing throughout most of the novel, with short “breathers” in between the tensest scenes.

~ Show, don’t tell. Show all your critical scenes in real time, with action, reaction, and dialogue. Show your character’s inner feelings and physical and emotional reactions. Don’t have one character tell another about an important event or scene.

~ Use multiple viewpoints, especially that of the villain. For increased anxiety and suspense, get us into the head of your antagonist from time to time. This way the readers find out critical information the heroine doesn’t know, things we want to warn her about!

~ Keep the story momentum moving forward. Don’t get bogged down in backstory or exposition. Keep the action moving ahead, especially in the first chapter. Then work in background details and other info little by little, on an “as-needed” basis only, through dialogue or flashbacks.

~ Create a mood of unease by showing the main character feeling apprehensive about something or someone or by showing some of the bad guy’s thoughts and intentions. 

~ Add in tough choices and moral dilemmas. Devise ongoing difficult decisions and inner conflict for your lead character. Besides making your plot more suspenseful, this will also make your protagonist more complex, vulnerable, and interesting.

~ Withhold information. Don’t tell your readers too much too soon. Dole out information little by little, to tantalize readers and keep them wondering. Keep details of the past of both your protagonist and antagonist hidden, and hint at critical, life-altering experiences they’ve had that are impacting their present goals, desires, fears, etc. Add one tiny detail after another as you go along, or maybe a short flashback here and there.

~ Delay answers to critical plot questions. Look for places in your story where you’ve answered readers’ questions too soon, so have missed a prime spot to increase tension and suspense. Draw out the time before answering that question. In the meantime, hint at it from time to time to remind readers of its importance.

~ Use dramatic irony. This is where your readers know something critical and scary that the protagonist is not aware of. For example, your heroine is relaxing after a stressful day, unaware that the killer is prying open her basement window.

~ Add a ticking clock. Adding time pressure is another excellent way to increase suspense.

~ Use the setting to establish the mood and create suspense. This is the equivalent of ominous music, harsh lighting, strange camera angles, or nasty weather in a scary movie.

~ Use compelling, vivid sensory imagery to take us right there, with the protagonist, vividly experiencing and reacting to whoever/whatever is challenging or threatening her. And appeal to all five senses, not just the visual.

~ Put some tension in every scene. There should be something unresolved in every scene. Your character enters the scene with an objective and encounters obstacles in the scene, so she is unable to reach her goals.

~ Vary the tension. But of course, you can’t keep up tension nonstop, as it’s tiring for readers and will eventually numb them. It’s best to intersperse tense, nail-biting scenes with a few more leisurely, relaxed scenes that provide a bit of reprieve before the next tense, harrowing scene starts.

~ Use brief flashbacks at key moments to reveal your main character’s childhood traumas, unpleasant events, secrets, emotional baggage, hangups, dysfunctional family, etc.

~ Keep raising the stakes. Keep asking yourself, “How can I make things worse for the protagonist?” As the challenges get more difficult and the obstacles more insurmountable, readers worry more and suspense grows.

~ Plan a few plot twists. Readers are surprised and delighted when the events take a turn they never expected. Don’t let your readers become complacent, thinking it’s easy to figure out the ending, or they may stop reading.

Do you have any other techniques for building suspense to add to this list?

BIO:

Jodie Renner, a freelance fiction editor specializing in thrillers, has published two books to date in her series, An Editor’s Guide to Writing Compelling Fiction: WRITING A KILLER THRILLER, with the updated, expanded edition now available in e-book and paperback on Amazon; and STYLE THAT SIZZLES & PACING FOR POWER, available in paperback, for Kindle, and in other e-book formats.

For more info, please visit Jodie’s author website or editor website.